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Renting a film studio: what should you check?

How a film studio differs from a photo studio, and which questions to ask about sound, power, control rooms and shoot time before you book.

Last updated: 7 November 2026

What a film studio needs to do extra

For film it is not only the picture that counts, but also quiet, power, cable runs and whether a director or client can monitor the shoot. Westgate Studio 1 lists its own control room with the chroma-key studio. Revontuli has a control room looking onto the set. Filter the directory for film studios.

Sound, power and loading

A film studio does not have to be a concert hall, but street noise or a loud air conditioner makes dialogue hard. Mirage3D mentions an acoustic ceiling and soundproofed walls; Green Screen Studio Utrecht mentions a sound-damped room and quiet air-con. Read more in sound in a hired film studio. Ask about 16A/32A or three-phase power if you bring larger lights or a smoke machine, and whether a van can reach the studio entrance.

Time to build

An interview in an existing setting can fit a half day. A video with a set, several setups or a vehicle often needs a full or even a long day. Studio Big Time counts build and wrap inside the booked time and offers a long day until 22:00. Plan that into your shoot day.

Frequently asked questions

Can I also film in a photo studio?
Sometimes, especially if the studio offers itself as a photo and film studio. Check sound, power and whether you may stay longer than a typical stills shoot. See photo studio or film studio.
Do I definitely need a green screen?
Only if you want to replace the background later. For interviews against an existing set or a white cyc, chroma key is unnecessary. See hiring a green screen or cyclorama.

Studios in the directory

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